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台湾妹娱乐22mbmb中文_台湾色佬中文网娱乐

类型:奇幻地区:莫桑比克剧发布:2020-10-21 01:57:17

台湾妹娱乐22mbmb中文_台湾色佬中文网娱乐剧情介绍

In the ward we had just passed through there were none but convalescents or favourable cases. At the further end of the room a boy, fearfully emaciated, so thin that his body, lying in the hollow of the mattress, was hardly visible under the covering, was asleep as we approached. He had come from one of the famine districts, and in escaping from one scourge had come to where the other had clutched him. The doctor touched him on the[Pg 34] shoulder, and he opened his great splendid eyes. The awakening brought him gladness, or perhaps it was the end of his dream, for he had the happy look of a contented child, shook his shaven head waggishly, and the single corkscrew lock at the top, and was asleep again instantly.We changed horses every five miles; ill-kempt little beasts, and only half fed, who got through their stage only by the constant application of the whip, and shouts from the sais standing on the step; when released from harness they stood forlorn and hobbled off, lame of every leg, to their stables with no litter. Day broke, a dingy grey, dark with woolly cloud and heavy rain; a wall of fog rose up around us, while the road was uphill towards the mountains.

In the mystery of a polychrome temple, whose walls are closely covered with sculptured bas-reliefs of gods in the shape of men or animals, is a relic, the sacred tooth of Buddha; and all about the precious object, which is enclosed in a series of shrines within impenetrable walls, there is no sign of respect, but all the noise and bustle of a fair, a perfect turmoil of hurrying, chattering folk, whose only anxiety is to keep unbelievers away from the sacred spot."It is made at thirty-five, twenty, fifteen rupees."

Squeezed in and crushed between houses that tower above it, rises the pointed dome of Biseshwar Matti, covered with leaves of chased gold; smaller cones surround the principal dome, bristling with tiny pyramids of gold, carved into flowers round statues of Kali with her eight arms, of Ganesa, and of peacocks with spread tails. Under this splendid cupola, dazzlingly bright against the sky,[Pg 156] the temple itself is quite small, and strictly closed against the unbeliever. Some pious hands had hung chains of jasmine and roses above the entrance, and they gave a touch of beauty to the stonework, very old, and soiled with large stains of oil. A sense of intense piety hangs about this sanctuary, subdues every voice, and bends the head of every passer-by in reverence of the mystery, and they all bring flowers.The bargaining was interminable, something in this manner:—

Round a village well, enclosed by walls with heavy doors that are always shut at night, a perfect flower-bed of young women had gathered, slender figures wrapped in robes of bright, light colours, drawing water in copper jars. The sunbeams, dropping between the leaves of a baobab tree that spread its immense expanse of boughs over the well, sparkled on their trinkets and the copper pots, dappling the gaudy hues of their raiment with flickering gold.

Rising from the highest point of the hill the huge tomb of Aurungzeeb the Great—more huge in the darkness—stood out clearly, a black mass, its bulbous dome against the sky. Flocks of goats and sheep came clambering along the ridge to shelter for the night in the recesses of its walls. Then, one by one, the lights died out. Infinite calm brooded over the scene; a very subtle fragrance, as of rose and verbena, seemed to rise from the ground and scent the still air; and over the motionless earth swept enormous black bats in silent flight, with slow, regularly-beating wings.

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A marble balustrade, of flowing design and astounding delicacy, exquisitely harmonious and artistic, encloses the white sarcophagus, which is inlaid with mindi and basilic flowers in costly agate, linked by inscriptions looking like lacings of narrow black braid. This balustrade alone, in the Taj, under the marble pile which forms the tomb of the empress, and on which 20,000 craftsmen laboured for twenty years, would, in its indescribable beauty of workmanship, have amply fulfilled Shah Jehan's vow.In every house a tiny lamp allowed us to see the women, squatting while they pounded millet, or cooked in copper pots. Then night suddenly fell, and I could no longer find my way about the dark alleys, stumbling as I went over cows lying across the path, till I suddenly found myself opposite a very tall pagoda, three storeys high. On the threshold the bonzes were banging with all their might on gongs and drums, alternately with bells. And on the opposite side of the street, in a sort of shed enclosed on three sides, but wide open to the passers-by, people in gay robes were prostrate before two shapeless idols, Krishna and Vishnu, painted bright red, twinkling with ornaments of tinsel and lead-paper, and crudely lighted up by lamps with reflectors. And then at once I was between low houses again, and going down tortuous streets to the river-bed,[Pg 48] whither I was guided by the sound of castanets and tambourines.

When the last stone was placed, Shah Jehan sent for the architect and went with him to the top of the mausoleum.

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